The close of beloved dive venue RKCNDY in was a hard hit to the all-ages scene, especially with the Teen Dance Ordinance still firmly in place for another three years. We had important things to say at very high volume that could not wait. I am admittedly biased on this point. A quick glimpse at a few of the venues bolstering Tacoma's scene, plus a short interview with Real Art Tacoma. I had connections, B-Mello, and I was always able to get into shows, there were artists there I would get to meet them, so like, it was selfish on my part. Then a couple water bottles sitting around, and you just sit in this little room, and the steps are like right thereand then you have this curtain, and that was it. Me as a teenager, being around here, there was this big group of Seattle artists, mainly in [Seattle Central College]. It was just a place where all-ages could go. And they have video games in the laundry room.
Smith becomes Jones as Sheridan is chosen to play Bridget on stage. Bridget Jones is returning with a vengeance. The angst-ridden and accident-prone. This world première by American writer Matthew Cole Kelly explores.
Video: Sunday independent arts editor seattle Walter Fasano #CallMeByYourName Editor interviewed at the 33rd Film Independent #SpiritAwards
The Irish arts festival season is now a sophisticated wonderland littered with big acts, big. Built infor the Seattle World Fair, the rotation sphere rises ft and rivals that of Inside it's just as colourful and pays homage to the arts from music to sci- fi and movies, with. Sunday Independent Editors Choice.
I do have a recording of them rapping, but I got in trouble for that too, actually. By then, Seattle felt like a different city.
The members of all-girl punk band Vandemonium inside their practice space in the Chophouse. Rioters were holding a line with sticks and rocks at the East Precinct and throwing tear gas canisters back at police.
And they were the people we looked up to.
Sunday independent arts editor seattle
|DV8 was an all-ages club by the Space Needle.
It was pretty crappy. I am admittedly biased on this point. It was a big thing, it was just crazy, my friends from The Physics, they were part of that whole Macklemore [scene along with] Khingz. KEXP is a listener powered non-profit arts Organization.
Deputy Editor Irish Independent Review.
Independent Venue Week RKCNDY, a conversation with Gaylon Henry (a.k.a. StreetNative)
@ReviewIndo. Culture/Books Editor. All views my own, unless. I work as a News Reporter and Digital Channel Editor at My duties include reporting on breaking news content and exclusive news and features, as well as news editing for Independent.
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There were other shadowy shapes that bent the light in quiet dusty corners of the building. We owned the badass world of our making.
Independent Venue Week Cari Simson Remembers The Chophouse
They did two compilations, and they were probably only five years older than us, but that seemed like so much more at that time. Like many cities, while there are many longstanding larger capacity spaces, the smaller and midsize venues are in perpetual flux.
Like, back in the mids, hip-hop was grimy. As we raise a glass to these clubs, we're also taking a moment to pour one out for the venues that have closed down and are gone forever.
The Head and the Heart are taking over a Seattle landmark Sunday. We've teamed up with Ghosts of Seattle Past, an interactive art installation and anthology curated by author/editor Jaimee Garbacik, to look back I was closely involved with all-ages music and arts space The Vera Project for many years, where .
He did Sit & Spin every Sunday; that was like three bucks. Visit Seattle and Film Independent Announce Third Seattle Story Award Rogers is a writer, director and creative director for Seattle-based the California Institute of the Arts. She is from the Pacific Northwest, Wednesday.
They did two compilations, and they were probably only five years older than us, but that seemed like so much more at that time.
And when I came back to Seattle, B-Mello was like the main person who was doing it. That is a moment of empowerment unlike any other. But nobody thought But then, if you sold a thousand copies and your record was in New York, that was doing something, the big thing.
No one was really supporting. This is from Wu-Tang
Sunday independent arts editor seattle
|Depressing, that going away.
But then, if you sold a thousand [copies] and your record was in New York, that was doing something, the big thing. But [Seattle Central], to me, was kind of a historic place at that time. So it was a lot of people just doing it because they wanted to do it. A guy we knew had his leg broken by the force of a rubber bullet.
Maybe five hundred.